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Bird's Eye View: unreleased demos retrieved from the abyss

by The Skirts

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1.
Skylights 03:14
don't capitalize on the things that you love you'll ruin it for everyone don't go, go, go until you've had enough it won't be fun for long! i'm waiting to be sure 'cause lately i've been torn between the skylights and the floor when i don't even live here anymore! unless you sit around wishing to care a lot less there aren't many reasons to get caught in this mess you'll get down to the deadline and be brimming with stress your art is all you've made! oh, there's still something refreshing about wanting to fight (your stitches are so even! and your beats are so tight!) but when'd you learn to be so contrived? was that an even trade? i'm waiting to be sure 'cause lately i've been torn between the skylights and the floor when i don't even live here anymore! there's no trick to sinking down until you'd planned to stick around i'm waiting to be sure 'cause lately i've been torn between the skylights and the floor when i don't even live here anymore!
2.
Here and Now 02:49
i've heard you say 'we're fine' i think it's cool that you're still lying oh, and i miss your lips on mine so i'll reach out for this lifeline: i'll keep knocking on your door (until you answer, until you answer) feet still planted on your porch (until you answer, until you answer) don't know what i'm waiting for ('til you answer) here and now. so we're not meant to be i still want you, and you want me so when one of us decides to leave, we'll feel like something's been achieved i'll keep knocking on your door (until you answer, until you answer) feet still planted on your porch (until you answer, until you answer) don't know what i'm waiting for ('til you answer) here and now. i'll keep knocking on your door (until you answer, until you answer) feet still planted on your porch (until you answer, until you answer) don't know what i'm waiting for ('til you answer) here and now.
3.
4.
Not For Long 03:32
it's easy sometimes when the pieces that you find are not the pieces left by others another smash hit where your own detritus fits, unless you plan to blow your cover why am i expecting things to change? when i intend to stay the same maybe there's no way to shift the blame there's nothing to do when it starts to pressure you to start to rectify your damage it bursts in the door you can hear it through the floor, anxieties you'll want to manage why am i expecting things to change? when i intend to stay the same maybe there's no way to shift the blame if you see anarchy don't leave me hanging i'll stand for (but unsure) my feet are dragging i'd like to report you for not explaining; but at least we've increased our understanding why am i expecting things to change? when i intend to stay the same maybe there's no way to shift the blame so then-- why am i expecting things to change? when i intend to stay the same maybe there's no way to shift the blame when it's not for long...
5.
Long Year 03:26
car on fire in the breakdown lane some weeks all taste the same no interest in hearing your name-- come here; it's been a long year. passersby all crane their necks to see the details, get the specs when only one thing intersects-- come here; it's been a long year. when every bridge you cross is at risk of demolition you'll wonder to yourself what you'd do in my position. you'd think that after all this time, i would've learned to listen-- come here; it's been a long year. when the rains start up again in real life, or in your head what i suggest you do instead-- come here; it's been a long year. if you can't bear to interact the days are feeling too abstract your softest parts have been attacked-- come here; it's been a long year. have i been so naive as to think this would be easy? the things we can't achieve we've abandoned completely. and then there are the things that we've arranged so neatly-- come here; it's been a long year. oh, come here; it's been a long year.
6.
earlier today i heard your name come out of someone else's mouth and i sharply inhaled fresh air. my respiratory system can't thank you enough but i still could use some help with the nightmares because i see monsters and fires and men who pretend they don't know what i mean earlier today i heard your voice in a dream and it acted like it still belonged there. 'cause when you become a shadow you take up empty space anything left to borrow becomes eminent domain when things feel much too narrow and you fall out of pace: picture me on the border of remembering your name. some of them have warned me that they had to go and many more have just...disappeared i never knew what to do with the great overflow bt this is way worse than i feared if this iteration of how we both feel leaves somebody feathered-and-tarred why is it such an outrageous appeal to ask you to not play that card? 'cause when you become a shadow you take up empty space anything left to borrow becomes eminent domain when things feel much too narrow and you fall out of pace: picture me on the border of remembering your name.
7.
Desiccate 03:05
incense burning on my shelf can you tell me what time it is? i got lost in the wisps of smoke now i'm not sure whom i'm with! strike up a flame with an old friend loosen up to where we've been: in line with your old friends who are unaware of what time it is! do i want to love you? or do i just want to be in your head? if it's raining when we leave can you help me desiccate? i'm not one to hold back a grudge and you always make me late. there's a water- line a brackish filth we share; something stagnant means some- thing is always there do i love you? or do i just want to be in your head?
8.
Good Team 04:17
looks like today's been really hot i'll keep the sun out of your eyes. you'd think i'm sorry, but i'm not that i'm the only one who tries i'll spend my evenings searching high and low, low for your spectre you waste your afternoons telling us you don't forget her... but when you take her hand you know you're touching me. your eyes are dirty, but your mind is clean. bring on a hundred days, i'll tease you in a thousand ways i think you see why we're a damn good team. take me outside and show me something new-- i'll always need to hear anything you say that is untrue you'll tell your closest friends about how rules don't break... but they can bend. you'll be the best at reminding me how well i can pretend! but when you take her hand you know you're touching me. your eyes are dirty, but your mind is clean. bring on a hundred days, i'll tease you in a thousand ways i think you see why we're a damn good team. our lips, we swear they've never met! they're strangers, unacquainted yet... but we both know my constant threat is to give you something to regret!! but when you take her hand you know you're touching me. your eyes are dirty, but your mind is clean. bring on a hundred days, i'll tease you in a thousand ways i think you see why we're a damn good team.

about

always fastidiously back up your files, kids

in spring 2020, during the height of the pandemic's first lockdown, Smash and Legs set out to make the next Skirts album. for months they ate, slept, and breathed these songs. when at long last they were satisfied with the recordings, they turned their work over to longtime friend and Skirts collaborator Paige (yes, them again <3) for mixing and mastering

.....and then at some stage of the file transfer process, our plucky but unlucky heroines lost very nearly ALL the stems. to this day nobody knows exactly how it happened

one or two songs had already felt Paige's skillful hand, but for the most part, all that remained were the rough mixes, and Smash and Legs didn't feel the roughs were of publishable quality. but two entire years softened their self-critical ears, and in the end The Skirts decided they were too proud of these songs to let them go unheard

we hope you enjoy

thanks to Paige for everything

credits

released December 7, 2021

Susanna Violet Smash: songwriting, vox, guitar, mandolin, glockenspiel, tambourine, cover art

Willow Legs Wisp: bass, backup vox, banjo

Paige Grace Gulley: additional support and incidental mastering

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The Skirts Boston, Massachusetts

queer garage pop

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